Theatre St. Thomas gears up for the future

by Nathalie Sturgeon

The lights go down, the music builds and the crowd leans forward. The first face with a pale white face, and bright red cheeks appear. Nothing can be heard but the sound of the voice as they begin their dialogue. It is a flagship extracurricular club that has 45 years of experience under its belt. The club has under gone some major changes in the past two years but they aren’t slowing down.

Trudeau and the FLQ was the most recent Theatre St. Thomas performance. It had 68 parts played by 16 actors, and included more than 600 cues.  All five viewings of show were sold out.. But what is the future for this after-school club?

Robin Whittaker, the Theatre St. Thomas artistic producer, said he has high hopes for the club going forward.  

“It’s definitely batting above it’s weight class, for sure, among Canadian university campus clubs,” he said.

Whittaker says they aim for variety, and variety is what they have produced. Since joining the club, Whittaker has directed Carnation Voyage, William Shakespeare, Taming of the Shrew, - this year - Trudeau and the FLQ.

Theatre St. Thomas is more then just a club. Despite the changes the club retains that sentimental value that many students past and present hold dear.

This club wasn’t always a beacon of hope and prosperity though.

Ilkay Silk was the faculty advisor for Theatre St. Thomas for 36 years. Almost two years ago, her position was eliminated, and as a result the club’s future became unclear.

The club became unsure of what might happen with the removal of the permanent positions.

Silk had told the university she would retire that year, but the decision not to replace her was upsetting.

“I’m perplexed. Of course I’m upset. That goes without saying, Silk told The Aquinian in 2014. “But the emotions are very layered. One is perplexed. Deeply, deeply not understanding the decision. So deeply. I don’t get it.”

The change came about due to budget changes that happened at university.

Tuition hikes and cut backs were put into place in order to clear the deficit that the university faced.

A petition circulated among the students to have the position renewed but at the end of the 2013-14, year the position was still cut.

Despite the removal of Silk’s position the club aims to work together with the St. Thomas community in their future projects.

This year’s Theatre St. Thomas president echoed Whittaker’s sentiments. Sharisse Lebrun, a fourth-year St. Thomas University said the club works well with the drama department.

“It’s really important to have here at STU, and it compliments the drama concentration and allows students to apply what they learn in the classroom,” she said.

Both Whittaker and LeBrun said that TST also allows them to be creative in the ways they explore different topics.

LeBrun said even though she isn’t in the drama concentration, the club allows her to get that experience that she can’t get through her degree.

“It not only compliments the drama education at STU, but all the education at STU,” she said.

But the club isn’t just able to feature their community and current events that happen around the world. It also provides a sense of family.

A St. Thomas graduate who was a member of Theatre St. Thomas since her first year, Kelsey Colford knows exactly what this family means to each member of the club.

“In my first year I was terribly homesick and didn’t really feel like I had found my community at St. Thomas,” she said. I decided to audition for Oh! What a Lovely War. I didn’t get in.

Despite that the club felt like a home away from home for Colford.

“They give me a place to go where I forgot my homesickness. It gave me mentors and friends who encouraged me to better myself. It gave me a purpose even on the difficult days. Those people were relying on me to show up and be a part of something,” she said.

“They were more than a cast and crew, they became friends and a chosen family.”

I sent an email to Ilkay [Silk, the club’s former faculty advisor] asking if there was any way I could assist the production. She welcomed me with open arms and introduced me to my second family,” said Colford.

***

It seemed like the loss of position and Silk would hurt Theatre St. Thomas in a big way until a solution could be reached. But thanks to past, present and future contributors the club remains as strong as it ever was.  

Even though LeBrun said, she wasn’t involved in the club her first year because of another program, she said friends who we’re involved before the changes are happy with the trajectory of the club.

“TST is in good hands, she said. “You guys are doing not only high quality work with talented actors and crew, but it’s work that is challenging and further the students and engaging the community.”

***

Thriving and bringing people together looks like something Theatre St. Thomas members want to see happening in the future.

Whittaker said the club’s future is always changing, and they take no particular direction right away. He said it’s important to keep the club inclusive to everyone.

“We always involve first, second, third and fourth0years… TST is really open to everyone,” said Whittaker.

Kelsey Colford said she knows these changes were necessary but hope that club remains as it always has been.

“I hope the administration continues to support TST as it currently exists. That TST maintains the caliber of performance going forward and that if it remains open to all the university population,” she said.

Colford said she found her second home in Theatre St. Thomas and says the club will always have a special place in her heart.

The club’s growth is a constant drive for the people who hold TST dear to their hearts, including LeBrun.

“I’m graduating this year, and I’m not worried at all, I’m excited to see the work that comes out of TST,” she said.  

Going forward, Whittaker said he hopes to incorporate more plays that are Canadian and, are relevant not only locally, but globally along with student works.

Whittaker will soon be teaching a script writing class. He said he expects it to be included in Theatre St. Thomas’s future line.

“Definitely incorporating a venue for new writers, and Canadian plays when it makes sense to do them, definitely introducing our audience to new styles as well as new playwrights and new plays, these are the things we hope to do.”

A spotlight of change, success and hope shines through the Black Box at St. Thomas University for all to see.

The Unbreakable Kimmy Schmidt Review!

Shows like Parks and Recreation, The Office, 30 Rock, and Arrested Development are comedy gold. These will no doubt go down as brilliance beyond their time.

But, have you heard of the new show Unbreakable Kimmy Schmidt? It’s a Netflix original series, and my recommendation this week.

From producers Tina Fey and Robert Carlock, comes a show starring Ellie Kemper, Jane Krakowski and Tituss Burgess.

Kemper plays Kimmy Schmidt, who is rescued from a doomsday cult and ends up trying to start a new life in New York. Kimmy becomes a New York nanny for Jane Krakowski, whom you might know from 30 Rock, and learns how to live as a free woman in the 21st century.

Unbreakable Kimmy Schmidt really deserves the hype it's getting. Fey and Carlock have created a comedic masterpiece.

Kimmy has to learn to live on her own. What makes this show so great is Kimmy’s newfound sense of independence. This woman has been locked in a bunker for 15 years and she manages to get a job, do math, learn how to be social again and go on a date, and even use a “Macintosh."

Kimmy is awkward, she makes old references from before she was in the bunker. Insert MC Hammer joke here.

References to old music, an appearance from The Babysitter's Club series, and light-up sneakers make this show gold.

But, we learn other things from Kimmy. We learn that we can overcome circumstances beyond our control.

She teaches us that we do not have to be dragged down by the things that have happened to us in the past. We're as strong as we choose to be.

She teaches us that being weird is not a bad thing. We must embrace who we are.

And most importantly, she teaches us that life changes very quickly. One minute you can be in an under grown cult bunker, the next a nanny to a New York socialite. Life is unpredictable as hell. But, “women are strong as hell."

I give Unbreakable Kimmy Schmidt five out of five stars. I already cannot wait for the next season!

And of course, there is Titus.

Unbreakable Kimmy Schmidt © Universal Television

True Blood: Season Six Pre-Review

In just 7 days the new season of HBO's True Blood returns for a sixth season. A show where vampires are a part of mainstream society and feed mainly off a synthetic blood made in five factories all over the world. And where William Compton enters the world of Sookie Stackhouse and turns her world upside down.

I am all things True Blood. I even have a mug with the logo on it. As the season wore on things became more complicated. A love triangle between Eric Northman, Bill Compton, and Sookie Stackhouse intensified. As she learns that Bill has lied to her and tricked her into loving him. Sookie quickly falls in love with Eric in the fourth season after he loses his memory to a group of witches in a coven.

Sookie learns she is a fairy, yes, like tinker bell. Her blood draws vampire like metal to a magnet. Her blood in fact allows vampires to day walk. Which is soon discovered by the notorious Russell Edgeington. Who plans to drain Sookie, and the rest of her kind to fill his 3000 year old dream of walking in the sun again. In the fifth season things take a turn for the worst. Religion actually surfaces in the lives of Northman and Compton as they are taken by the AVL (American Vampire League), and are convinced that mainstreaming is against Lilth's wishes (who just happens to be the vampire God) Northman isn't convinced for a second, however Bill is taken over by the influence and convinces himself that Lilth has chosen him to govern everyone and drinks all of Lilth's blood. The seasons ends in the most dramatic of fashion, Eric and Sookie running from was the Truebies call Bilith.

The show can sometimes feel a bit over dramatic and cookie cutter. In the fourth season, Marnie a witch, the main villain of that season summons to be possessed by a witch from the 1600's. And says "I know your power don't come cheap, but I'm willing to pay the price." Is this a HBO show or a all boy pop band? Sookie though the main character sometimes comes off as a bit of a snob - a stupid one. Her lines sometimes don't match up with some of the intense situations that occur to the characters.

Jason Stackhouse, Sookie's brother, I find is there for comedic relief. In the first season he is hornier then a cat in heat. I'm sure he'd fuck a tree if that was politically correct.  But it's not. He is also blamed for the murders come by Rene Linuea a.k.a. Drew Marshall. He is involved in the Fellowship of The Sun, a vampire hate group. Despite his sisters involvement with them. He gets kidnap by meth-dealing were-panthers (yes, you heard me) and is raped. In the fourth season he also becomes a cop - I'm unsure of how the helped his character - the end of the season five shows him telling Jessica (Bill Compton's progeny) he can never love a vampire. Sometimes I'm over critical of his character mostly because he's been so stupid.

I was disappointed in the last season, primary because it didn't follow the plot line of the former seasons. Of course a show must change how things happen to keep their fan base. But, it seems to come completely out of left field. The whole rising against the main stream movement. As it seemed to be working perfectly. I'm also confused by the fact that Bill killed himself in the middle of a crisis. (the details of this whole situation will hopefully be worked out in the sixth season.) I feel like his plot line shouldn't have ended there. Or perhaps it won't!

The sixth season will answer some cliff hanger questions.
Will Pam and Tara get together?
Will Eric and Sookie make it out alive? Or for that matter will the be together now?
Is Bill alive, or dead? What will happen there, period.
Will Jason and Jessica be able to work things out?
How about Alceed (a warewolf attracted to Sookie, I am not a big fan of his), what will his role be?
What will happen to the vampire authority now that all it's members are dead?

As we look ahead into the on coming quick approaching sixth season us Truebies wait anxiously for all the answers. From the lesbian relationships to suicidal vampires, what will happen next?

Are you waiting? Because waiting sucks!

~ N